The Public Review
Break, Learn, and Build
on Foreigners Everywhere at the 60th Venice Biennale
Kaelen Wilson-Goldie
November 16, 2024
Is there Poetry after Gaza?
on Basma al-Sharif: The Place Where I was Condemned to Live at de Appel, Amsterdam
Saja Amro in conversation with Merve Bedir
October 13, 2024
The Partisan, the Dissident, and the “Postsocialist Contemporary”
on Ana Lupas: On This Side of the River Elbe at the Stedelijk Museum, Amsterdam
Megan Hoetger
September 10, 2024
Always the Observed
on Joan Jonas: Good Night, Good Morning at the Museum of Modern Art, New York
Katherine Siboni
June 16, 2024
Solidarity in Print
on Public Works: Art by Elizabeth Olds at the Harry Ransom Center, UT Austin, Texas
Michelle Donnelly
May 9, 2024
The photo that remembered how to forget
on Noor Abuarafeh’s Resistive Narratives at Kunstverein München
Linnéa Bake
November 16, 2023
Experiments in Eden
on Wynnie Mynerva’s The Original Riot at the New Museum, New York
Anna Cahn
November 4, 2023
Anti-Asian and the Art Institution
on Mai Ling’s NOT YOUR ORNAMENT at Secession, Vienna
Carlos Kong
October 20, 2023
The Banality of Tragedy
on Philip Guston Now at the National Gallery of Art, Washington, DC
Rachel Burke
June 6, 2023
Toward Divesting the Artwork
on David Joselit’s Art’s Properties
Genevieve Lipinsky de Orlov
April 11, 2023